Once Lost in Translation,
A Classic Properly Revived
The digital version of Helvetica that everyone knows and uses today is quite different from the typeface’s pre-digital design from 1957. Originally released as Neue Haas Grotesk, many of the features that made it a Modernist favorite have been lost in translation over the years from one typesetting technology to the next.
Type designer Christian Schwartz has newly restored the original Neue Haas Grotesk in digital form – bringing back features like optical size variations, properly corrected obliques, alternate glyphs, refined spacing, and more.