Richard Lipton designed this spirited oldstyle for Font Bureau; the romans gain their energy from French baroque forms cut late in the sixteenth century by Robert Granjon, the italics from Dirk Voskens’ work in seventeenth-century Amsterdam. The series offers vital and legible text with rich choices for forceful display; fifteen fonts provide three weights of roman and italic backed by titling, small caps, and swash styles; FB 1994