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January 28, 2011
Lucy Sisman begins her interview with David Berlow for wwword, “At any given time there are a few people who can see into the future and anticipate what we will all need. David Berlow, type designer, is one of them.... While he is respected and innovative as a designer, his career has meant more than that: part creative technician, part techy genius, he has been instrumental in pioneering type design for a new medium.” Read more here.
The Museum of Modern Art announced the acquisition of 23 new digital typefaces for its Architecture and Design Collection, including Font Bureau’s Miller by Matthew Carter and Interstate by Tobias Frere-Jones.
This acquisition is significant because generally graphic design has not figured prominently in the museum’s focus and has been historically limited to posters. Recognizing this, the museum set out to correct what was considered “a lacuna in the collection,” according to Paola Antonelli, Senior Curator of Architecture and Design at MoMA, and typefaces were identified among the new categories to be addressed. In fact, only one other ...
December 21, 2010
Fonts In Use will catalog and examine real-world typography. From the editor: “So much of design critique is focused on graphics and photography. It’s time to shed light on the most basic element of communication: the type. At Fonts In Use we’ll catalog and examine real-world typography wherever it appears — branding, advertising, signage, packaging, publications, in print and online — with an emphasis on the typefaces used.” Read on...
Part 2: Readability, Affability, Authority
On the i love typography blog, William Berkson, designer of Williams Caslon Text, posts part two of Reviving Caslon. He begins, “When their words are put into print, writers want the text to be inviting and welcoming, so that readers will read what they have written. And they also want the text to have an aura of credibility, so it will be taken seriously and maybe even accepted.” Read more...
[read Part 1: The Snare of Authenticity]
Draw a letter, any letter! And so you did. We thank all of you at TypeCon who stepped up to our exhibit table in Los Angeles and participated in our letter-drawing collage.
Paul Shaw reviews Trilby in an article for Print magazine. “Although the sans serif was originally a bastard offspring of the slab serif, the latter has been copying the former for the past 80 years, and Trilby by David Jonathan Ross continues this trend.” Read more...
September 28, 2010
Accolades again to Matthew Carter! On the heels of receiving the AIGA Boston Fellows Award, he is among 22 others selected for the 2010 MacArthur Fellows, often referred to as the “genius award.” This year includes an impressive line up of recipients working across a broad spectrum of endeavors. Read more here about “a type designer crafting letterforms of unequaled elegance and precision that span the migration of text from the printed page to computer screens.”
Led by Font Bureau and Ascender Corp., Webtype.com introduces a new range of web fonts optimized for high quality text rendering across browsers. Webtype.com launches an innovative web font service to improve web typography.
August 17, 2010
On Imprint, Michael Dooley interviews Roger Black about the future potential of type design in advance of Black's keynote on Thursday night at TypeCon2010: Babel in Los Angeles. The presentation is sure to be engaging, given Black’s penchant for envisioning radical change and peering further ahead of the curve than most of the rest of us can see. Read more here.
July 26, 2010
As Robert Newman writes, “A post earlier this week on the SPD [Society of Publication Designers] site about the new Ready-Media project...was the most controversial item we’ve ever published. It attracted passionate and articulate comments, both pro and con...” In a follow up, Newman asks Roger Black to answer some questions about Ready-Media and here’s what he had to say.