Just a few days after we released Serge, the fonts are already being used by the premier purveyor of personal propulsion, Le Jet! Peruse the dynamic online catalog of this retro-forward-thinking enterprise, revel in the clever copy rendered entirely in webfonts from Webtype, and (if you’re using a modern browser like IE 10, Chrome 22 or Firefox 4 or later) delight in the OpenType swash caps.
Can’t get enough of this ultra moderne technologie? Cyrus Highsmith is posting more of his original Le Jet graphics on his personal blog, Cyrumblr.
Every time I come back from TypeCon, I always promise myself I am not going to ramble on about how awesome it was for days after it’s over. But once again, I’ve failed. TypeCon 2012 in Milwaukee, Wisconsin: You were wonderful!
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Ever wonder where your friend the typophile got all those cool letters to decorate their home? There are antique shops and flea markets everywhere, but nothing beats Brimfield. Even its websites are old-fashioned!

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The Star Wars website is using Antenna, thanks to Webtype. I think that makes me a Jedi knight! I feel a great disturbance in the letter spacing in the Star Wars logo…
Green and friendly is the new face of New York City's Central Park, and FB Titling Gothic is its new typeface.
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Freshly back from this year's Society for News Design Conference in St. Louis, I am hopeful and inspired for what lies ahead in the world of news design, both digital and print.
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As a little girl, I often perused my brother’s comics. X-Men, Tales from the Crypt, and MAD Magazine were just a few. One of my favorite pieces in MAD was Spy vs. Spy, where the Black and the White spies found interesting ways to kill each other. Cartoonish violence aside, I was always fascinated by their creativity. And I always rooted for the Black Spy.
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“I know this may look insane, but it works for me.”
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Laurie Rosenwald spotted our typeface, Loupot at Carnegie Hall.
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“Letterpress is obsolete, that's what makes it valuable.” I wouldn’t call it obsolete, exactly—perhaps the person misspoke—but yes, it is very valuable. Even so, technology inevitably marches on. And without documentaries like Typeface spreading the word, people will not know to take time to appreciate this art form.
Much like wood type itself, this film is flawed…
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