· Behind the Scenes
· New Type
· Parker Type History
· Seen and Noted
· Type Design
· Web Fonts
· David Berlow
· Sam Berlow
· Font Bureau
· Stephen Coles
· Carrie Gee
· Cyrus Highsmith
· David Jonathan Ross
· Indra Kupferschmid
· Kent Lew
· Mary Louise Marino
· André Mora
· Mike Parker
· Nick Sherman
· Dyana Weissman
Join the FB News List
FB RSS Feed
Frozen water, in the right hands, can be extraordinary. Next time you’re sitting in front of an expert bartender, don't be surprised when she reaches for a club and chisel. A carefully carved chunk of ice can withstand more than one pour of a straight spirit, become infused and round slowly with the night. After your last sip, the seasoned ice remains.
NEW TYPE ·
August 7, 2013
Benton Sans, already the largest Font Bureau family, now boasts a full spectrum of widths from Extra Compressed to the new Benton Sans Wide. This makes a total of 80 styles — the 5 widths, each with 8 weights and corresponding italics. And that will make designers with complex typographic needs very happy. Combine this group with Benton Sans RE for small screen use, or pair it with Benton Modern as a serif companion, and there isn’t a typographic task too large, too small, or too complex that the comprehensive expanded family can’t handle.
NEW TYPE ·
February 11, 2013
On this Valentine’s week, we are pleased to announce another labor of love by our master of the calligraphic script, Richard Lipton. With typefaces like Avalon, Sloop, and Tangier, Lipton continually transforms the elegance of pen-on-paper into beautiful, functional fonts. His latest is Savanna Script.
We are delighted to introduce Cyrus Highsmith’s latest design in a simultaneous release for the desktop and web. Bonjour, Serge!
Already available on newsstands everywhere, so to speak — Quiosco, designed by Cyrus Highsmith, is now part of our Retail library and available for licensing and download.
While initially conceived for newspaper text, Quiosco has also found gainful employment in a variety of magazines — Sports Illustrated, TV Guide, Outside, and The Hollywood Reporter, to name-drop just a few.
Here in the northern hemisphere, summer is in full swing and the growing season will soon reach its peak. At Font Bureau, we’ve already got one crop that’s ripe for the picking:
Introducing Turnip, a new font family by David Jonathan Ross.
You may be wondering, ‘why Neue Haas Grotesk when we have Helvetica?’ To offer the best reason, and the one that’s the most interesting, we have to go back quite a few decades, to Switzerland.
Neue Haas Grotesk was the original name given to the typeface that Max Miedinger drew in the 1950s for Haas’sche Schriftgiesserei (Haas Typefoundry) in Switzerland under the direction of Eduard Hoffmann. It was designed to compete with the German-designed Akzidenz Grotesk and others. Shortly after release from Haas, the name was changed at the request of parent company Stempel to “Helvetica” (Latin for ...
Georgia and Verdana rule the web. Starting today, Georgia Pro and Verdana Pro are now revised and expanded families, enabling more versatile use both on screen and on paper. The expansion includes three new weights and a Condensed width, OpenType layout features, WGL pan-European character set, added kerning, and extensive hinting.
Georgia and Verdana entered the scene fifteen years ago. They were created for Microsoft and adapted from proven typographic models by world-renowned type designer Matthew Carter, assisted by master hinting engineer Tom Rickner. Now, a partnership between Font Bureau, Carter & Cone, and Monotype Imaging led the effort to create ...
Cyrus Highsmith designed Salvo Sans & Salvo Serif (originally called Boomer Sans & Boomer Serif) as one series for AARP. It’s been called “hopeful, informative, alive, embracing and delightful.” We couldn’t agree more.
NEW TYPE ·
December 18, 2008
Font Bureau announces the release of six new and expanded typefaces from our drawing studio: Whitman Display, Whitman, Benton Sans, Zócalo Text, Zócalo Banner and Zócalo Display.
Check out our NEWSLETTER
Classical Traits with a Spartan Finish
Drawing inspiration from W.A. Dwiggins and Eric Gill, book designer Kent Lew blended classical design traits with a crisp, spartan finish to create the original Whitman. In 2004, Monica Moses saw even greater potential and commissioned headline styles for the Minneapolis Star Tribune, noting that “it’s intelligent-looking without being aloof, fussy, or snooty.” Expanded further for Fortune magazine and ...