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NEW TYPE, TYPE DESIGN · May 25, 2011

New Type! Salvo Sans & Salvo Serif

Cyrus Highsmith designed Salvo Sans & Salvo Serif (originally called Boomer Sans & Boomer Serif) as one series for AARP. It’s been called “hopeful, informative, alive, embracing and delightful.” We couldn’t agree more.


NEW TYPE · December 18, 2008

New Fonts: Zocalo, Whitman Display, and Benton Sans

Font Bureau announces the release of six new and expanded typefaces from our drawing studio: Whitman Display, Whitman, Benton Sans, Zócalo Text, Zócalo Banner and Zócalo Display.

Check out our NEWSLETTER

WHITMAN DISPLAY
Classical Traits with a Spartan Finish

Drawing inspiration from W.A. Dwiggins and Eric Gill, book designer Kent Lew blended classical design traits with a crisp, spartan finish to create the original Whitman. In 2004, Monica Moses saw even greater potential and commissioned headline styles for the Minneapolis Star Tribune, noting that “it’s intelligent-looking without being aloof, fussy, or snooty.” Expanded further for Fortune magazine and ...

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NEW TYPE · September 15, 2008

New Fonts: Benton Modern Display, Rocky & ITC Franklin

Font Bureau is pleased to announce the release of three new typefaces from our drawing studio: Benton Modern Display, Rocky & ITC Franklin!

BENTON MODERN DISPLAY
All Grown Up

Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from M.F. Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. These new display cuttings were prepared by Dyana Weissman and Richard Lipton.

36 Styles: Light, Regular, Semibold and Bold in Normal, Condensed ...

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NEW TYPE · September 10, 2008

New Font: Benton Modern Display, All Grown Up

Font Bureau is pleased to announce the release of a major new typefaces from our drawing studio: Benton Modern Display!

Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from M.F. Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. These new display cuttings were prepared by Dyana Weissman and Richard Lipton.

36 Styles: Light, Regular, Semibold and Bold in Normal, Condensed, Extra Condensed and Compressed widths. Black and Ultra ...

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NEW TYPE · September 9, 2008

New Font: Rocky, a Latin With Bodoni Proportions, or a Bodoni With Latin Serifs?

Font Bureau is pleased to announce the release of a major new typefaces from our drawing studio: Rocky!

For years Matthew Carter wondered why no Latins with Bodoni proportions had been developed, or why no Bodonis had Latin serifs. He solved this problem by drawing Rocky Regular and Bold with italics to fill the gap, then expanded the family with the aid of Richard Lipton. In publications, they provide a sharp spot of typographic “color” as signature headletter series for Roger Black’s redesign of the Rocky Mountain News.

40 Styles: Light, Regular, Medium, Bold, and Black in Compressed, Extra ...

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NEW TYPE · September 8, 2008

New Font: ITC Franklin, the Definitive Revision by David Berlow

Font Bureau is pleased to announce the release of a major new typefaces from our drawing studio: David Berlow.

In 1902 American Type Founders’ release of Franklin Gothic introduced Morris Fuller Benton. In 1979 Victor Caruso, International Typeface Corporation, increased the series to four photocomp weights, Light, Medium, Bold and Black, all with italics. In 1991 David Berlow added Condensed, Compressed and Extra Compressed widths. Berlow has completed his definitive revision, a single new series, ITC Franklin.

48 Styles: Thin, Light, Medium, Bold, Black and Ultra in Compressed, Condensed,

Narrow and Normal widths. All ...

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NEW TYPE · March 6, 2008

New Fonts: Scout and FB Moderno

March 6, 2008. Boston

Font Bureau is excited to announce the release of two major new typefaces from our drawing studio - Scout and FB Moderno.

SCOUT

A fresh new sans serif, something always useful, Scout (and a related logotype) was drawn by Cyrus Highsmith, a senior type designer at Font Bureau, for Geraldine Hessler’s 2006 redesign of Entertainment Weekly. The 24 style family marks the magazine’s first significant typographic update in a decade. Scout created a new typographic identity for the magazine with a design that derives structural elements from both new and old: DIN, Venus, and Cairoli ...

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NEW TYPE · July 12, 2007

New Fonts: Casey and Biscotti

July 3, 2007. Boston

Font Bureau, Inc. is proud to present two new script families for summer, whether you are celebrating a friend’s wedding or a baseball season:

CASEY - a fat-bottomed Script in 3 weigths

Casey, Leslie Cabarga’s latest script, recalls Casey at the Bat, Enerest Lawrence Thayer’s vivid old baseball poem. Once, fat-bottomed scripts like Casey were everywhere but they barely survived as logos for Campbell’s soup, Ford, Coca-Cola and, of course, the Dodgers. In 2000, Emigre’s logo brought one back and popular use was on again. Cabarga’s splendid take on the swinging ...

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NEW TYPE · January 4, 2007

New Fonts: Antenna and Novia

January 4, 2007. Boston.

Happy New Year from Font Bureau, Inc. To ring in 2007, we are proud to present two new families by Cyrus Highsmith:

ANTENNA - a Sans Serif in 28 styles

The calm and deliberation of Antenna offers further development to the excitement and mobility that we have come to expect from the hand of Cyrus Highsmith. Beyond the tension of his normal line, Highsmith places a new emphasis on the repeat and variation of counter shapes with the spaces between characters. Antenna’s rhythms project business-like subtleties through seven weights in four widths, with matching italics; FB ...

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NEW TYPE · December 11, 2006

New Custom Fonts: EW Sans and Heroun Sans

December 11, 2006 Boston

Font Bureau is proud to unveil two new families by Cyrus Highsmith, drawn for Entertainment Weekly, and Men’s Health. Both redesigns hit the stands within a week of one another.

EW SANS
Geraldine Hessler commissioned EW Sans and an updated logo to match for her redesign of Entertainment Weekly. The large family marks the magazine’s first significant typographic change in a decade, replacing the long running Bureau Grot. EW Sans visually updates the magazine for today’s age of on-demand content downloaded for portable media players or high definition plasma screens.

HEROUN SANS
Commissioned ...

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