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NEW TYPE, NEWS · November 7, 2012

Quiosco: Now Available

Already available on newsstands everywhere, so to speak — Quiosco, designed by Cyrus Highsmith, is now part of our Retail library and available for licensing and download.

While initially conceived for newspaper text, Quiosco has also found gainful employment in a variety of magazines — Sports Illustrated, TV Guide, Outside, and The Hollywood Reporter, to name-drop just a few.

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NEW TYPE, NEWS · August 23, 2012

Turnip: New from Font Bureau

Here in the northern hemisphere, summer is in full swing and the growing season will soon reach its peak. At Font Bureau, we’ve already got one crop that’s ripe for the picking:

Introducing Turnip, a new font family by David Jonathan Ross.

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NEW TYPE, NEWS, TYPE DESIGN · April 2, 2012

Neue Haas Grotesk Now Available from Font Bureau

You may be wondering, ‘why Neue Haas Grotesk when we have Helvetica?’ To offer the best reason, and the one that’s the most interesting, we have to go back quite a few decades, to Switzerland.

Neue Haas Grotesk was the original name given to the typeface that Max Miedinger drew in the 1950s for Haas’sche Schriftgiesserei (Haas Typefoundry) in Switzerland under the direction of Eduard Hoffmann. It was designed to compete with the German-designed Akzidenz Grotesk and others. Shortly after release from Haas, the name was changed at the request of parent company Stempel to “Helvetica” (Latin for ...

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NEW TYPE, NEWS, WEB FONTS · November 8, 2011

Georgia Pro & Verdana Pro: More Widths. More Weights. More Possibilities.

Georgia and Verdana rule the web. Starting today, Georgia Pro and Verdana Pro are now revised and expanded families, enabling more versatile use both on screen and on paper. The expansion includes three new weights and a Condensed width, OpenType layout features, WGL pan-European character set, added kerning, and extensive hinting.

Georgia and Verdana entered the scene fifteen years ago. They were created for Microsoft and adapted from proven typographic models by world-renowned type designer Matthew Carter, assisted by master hinting engineer Tom Rickner. Now, a partnership between Font Bureau, Carter & Cone, and Monotype Imaging led the effort to create ...

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NEW TYPE, TYPE DESIGN · May 25, 2011

New Type! Salvo Sans & Salvo Serif

Cyrus Highsmith designed Salvo Sans & Salvo Serif (originally called Boomer Sans & Boomer Serif) as one series for AARP. It’s been called “hopeful, informative, alive, embracing and delightful.” We couldn’t agree more.


NEW TYPE · December 18, 2008

New Fonts: Zocalo, Whitman Display, and Benton Sans

Font Bureau announces the release of six new and expanded typefaces from our drawing studio: Whitman Display, Whitman, Benton Sans, Zócalo Text, Zócalo Banner and Zócalo Display.

Check out our NEWSLETTER

WHITMAN DISPLAY
Classical Traits with a Spartan Finish

Drawing inspiration from W.A. Dwiggins and Eric Gill, book designer Kent Lew blended classical design traits with a crisp, spartan finish to create the original Whitman. In 2004, Monica Moses saw even greater potential and commissioned headline styles for the Minneapolis Star Tribune, noting that “it’s intelligent-looking without being aloof, fussy, or snooty.” Expanded further for Fortune magazine and ...

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NEW TYPE · September 15, 2008

New Fonts: Benton Modern Display, Rocky & ITC Franklin

Font Bureau is pleased to announce the release of three new typefaces from our drawing studio: Benton Modern Display, Rocky & ITC Franklin!

BENTON MODERN DISPLAY
All Grown Up

Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from M.F. Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. These new display cuttings were prepared by Dyana Weissman and Richard Lipton.

36 Styles: Light, Regular, Semibold and Bold in Normal, Condensed ...

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NEW TYPE · September 10, 2008

New Font: Benton Modern Display, All Grown Up

Font Bureau is pleased to announce the release of a major new typefaces from our drawing studio: Benton Modern Display!

Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from M.F. Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. These new display cuttings were prepared by Dyana Weissman and Richard Lipton.

36 Styles: Light, Regular, Semibold and Bold in Normal, Condensed, Extra Condensed and Compressed widths. Black and Ultra ...

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NEW TYPE · September 9, 2008

New Font: Rocky, a Latin With Bodoni Proportions, or a Bodoni With Latin Serifs?

Font Bureau is pleased to announce the release of a major new typefaces from our drawing studio: Rocky!

For years Matthew Carter wondered why no Latins with Bodoni proportions had been developed, or why no Bodonis had Latin serifs. He solved this problem by drawing Rocky Regular and Bold with italics to fill the gap, then expanded the family with the aid of Richard Lipton. In publications, they provide a sharp spot of typographic “color” as signature headletter series for Roger Black’s redesign of the Rocky Mountain News.

40 Styles: Light, Regular, Medium, Bold, and Black in Compressed, Extra ...

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NEW TYPE · September 8, 2008

New Font: ITC Franklin, the Definitive Revision by David Berlow

Font Bureau is pleased to announce the release of a major new typefaces from our drawing studio: David Berlow.

In 1902 American Type Founders’ release of Franklin Gothic introduced Morris Fuller Benton. In 1979 Victor Caruso, International Typeface Corporation, increased the series to four photocomp weights, Light, Medium, Bold and Black, all with italics. In 1991 David Berlow added Condensed, Compressed and Extra Compressed widths. Berlow has completed his definitive revision, a single new series, ITC Franklin.

48 Styles: Thin, Light, Medium, Bold, Black and Ultra in Compressed, Condensed,

Narrow and Normal widths. All ...

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