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NEW TYPE, NEWS, WEB FONTS · April 9, 2014

Custer RE. A new Reading Edge typeface by David Berlow

David Berlow’s Custer RE is the latest addition to our Reading Edge (RE) series. This typeface is the tenth RE family and is available today at Webtype. Learn more about it on the Webtype Blog.

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NEW TYPE, NEWS · April 2, 2014

Big Moore. A new display typeface by Matthew Carter

Today we announce Matthew Carter’s new typeface, Big Moore.

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NEW TYPE, NEWS · December 12, 2013

New Release: Icebox

Frozen water, in the right hands, can be extraordinary. Next time you’re sitting in front of an expert bartender, don't be surprised when she reaches for a club and chisel. A carefully carved chunk of ice can withstand more than one pour of a straight spirit, become infused and round slowly with the night. After your last sip, the seasoned ice remains.

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NEW TYPE · August 7, 2013

New Fonts: Benton Sans Wide

Benton Sans, already the largest Font Bureau family, now boasts a full spectrum of widths from Extra Compressed to the new Benton Sans Wide. This makes a total of 80 styles — the 5 widths, each with 8 weights and corresponding italics. And that will make designers with complex typographic needs very happy. Combine this group with Benton Sans RE for small screen use, or pair it with Benton Modern as a serif companion, and there isn’t a typographic task too large, too small, or too complex that the comprehensive expanded family can’t handle.

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NEW TYPE · February 11, 2013

New Type: Savanna Script

On this Valentine’s week, we are pleased to announce another labor of love by our master of the calligraphic script, Richard Lipton. With typefaces like Avalon, Sloop, and Tangier, Lipton continually transforms the elegance of pen-on-paper into beautiful, functional fonts. His latest is Savanna Script.

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NEW TYPE, NEWS · November 28, 2012

New Type: Serge

We are delighted to introduce Cyrus Highsmith’s latest design in a simultaneous release for the desktop and web. Bonjour, Serge!

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NEW TYPE, NEWS · November 7, 2012

Quiosco: Now Available

Already available on newsstands everywhere, so to speak — Quiosco, designed by Cyrus Highsmith, is now part of our Retail library and available for licensing and download.

While initially conceived for newspaper text, Quiosco has also found gainful employment in a variety of magazines — Sports Illustrated, TV Guide, Outside, and The Hollywood Reporter, to name-drop just a few.

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NEW TYPE, NEWS · August 23, 2012

Turnip: New from Font Bureau

Here in the northern hemisphere, summer is in full swing and the growing season will soon reach its peak. At Font Bureau, we’ve already got one crop that’s ripe for the picking:

Introducing Turnip, a new font family by David Jonathan Ross.

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NEW TYPE, NEWS, TYPE DESIGN · April 2, 2012

Neue Haas Grotesk Now Available from Font Bureau

You may be wondering, ‘why Neue Haas Grotesk when we have Helvetica?’ To offer the best reason, and the one that’s the most interesting, we have to go back quite a few decades, to Switzerland.

Neue Haas Grotesk was the original name given to the typeface that Max Miedinger drew in the 1950s for Haas’sche Schriftgiesserei (Haas Typefoundry) in Switzerland under the direction of Eduard Hoffmann. It was designed to compete with the German-designed Akzidenz Grotesk and others. Shortly after release from Haas, the name was changed at the request of parent company Stempel to “Helvetica” (Latin for ...

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NEW TYPE, NEWS, WEB FONTS · November 8, 2011

Georgia Pro & Verdana Pro: More Widths. More Weights. More Possibilities.

Georgia and Verdana rule the web. Starting today, Georgia Pro and Verdana Pro are now revised and expanded families, enabling more versatile use both on screen and on paper. The expansion includes three new weights and a Condensed width, OpenType layout features, WGL pan-European character set, added kerning, and extensive hinting.

Georgia and Verdana entered the scene fifteen years ago. They were created for Microsoft and adapted from proven typographic models by world-renowned type designer Matthew Carter, assisted by master hinting engineer Tom Rickner. Now, a partnership between Font Bureau, Carter & Cone, and Monotype Imaging led the effort to create ...

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