September 24, 2009
Highlights of our September newsletter include the new release of Starling; the unveiling our new Spanish-language promotional piece Interlínea at SND in Buenos Aires; Sam Berlow and Kent Lew at TypeCon in Atlanta; Matthew Carter’s lecture series, Genuine Imitations; and Font Bureau’s contribution in the new reference book, 1000 Fonts.
If you missed the July newsletter you can still view it here. The highlights included the new release of Juliana; Palm Pre’s launch with fonts by Font Bureau; Cyrus Highsmith profiled in MyFonts’ Creative Characters; and Dyana Weissman interviewed in the popular design blog Speak Up.
June 10, 2009
June 10, 2009 - Boston.
The Palm® Pre™ is already selling out — after great reviews. The revolutionary new user interface is enhanced by new fonts from the Font Bureau.
This past weekend’s notable release of the Palm Pre also saw the debut of custom fonts developed especially for the Pre by the Font Bureau.
To build a unique visual experience for the Pre user, Palm commissioned a suite of fonts from the Font Bureau, a type foundry noted for its many custom designs for major publications and corporations. The fonts, named Prelude, were designed by Font Bureau co-founder David Berlow ...
May 5, 2009
Zócalo, Benton Modern Display, ITC Franklin, and Rocky were all selected in Typographica’s Favorite Typefaces of 2008. In the words of Nick Sherman “...it’s significant that the ever-increasing quality in type design these days — dubbed by some as the new “golden age” of type — has caused this year’s list to supersede previous lists in many ways.”
Dyana Weissman was also invited to review Lakeside by Mark Simonson.
Residents of the eastern coast of the United States, where Font Bureau is located, are being warned to stay inside today because of a blizzard. I am going out to play. But for those of you still here and looking for typographic fun, here are 2 links.
José Ramón Penela has made a very good spanish translation of my article about the em. Go here to hone your linguistic and typographic knowledge all at once.
Also, there is a new interview by Jan Middendorp with me at myfonts.
January 28, 2009
December 3, 2008
Talking about drawing…
I think Ben Shahn spoke for many artists and designers when he said, “I am a painter. I am not a lecturer about art nor a scholar of art. It is my chosen role to paint pictures, not to talk about them.”
But what artist or designer can resist the chance ramble on about their work?
I can’t. In October, I gave a talk at Design Fest 2008 in Guadalajara, México. Then in November, I spoke at Northeastern University in Boston. Same talk, different language. It was a nice break from routine.
Still, trying to express ...
November 11, 2008
I will do a lecture in Boston next week. Come check it out.
6pm Tuesday, November 18th
Raytheon Amphitheatre, Northeastern University
August 6, 2008
Just a couple pictures from TypeCamp today. I gave a lecture on being a typeface designer
and we handed out the specimen books. The campers loved ‘em.
—Dyana Weissman, Staff Designer
May 29, 2008
Ahhh, the weather in Boston is finally warming up, and I’m starting to think about my summer plans. What I’m most excited about is spending 5 days and nights on an idyllic island off the coast of British Columbia, getting some color into my pale New England skin. Whether it’s from swimming, hiking, or just relaxing in the Cascadian sun. And most importantly, talking and making type with other font fanatics. You can come too; I’m not just randomly bragging.
I’ll be co-instructing at Type Camp Galiano this year, and I can barely wait. Not ...
May 21, 2008
As previously mentioned here, Font Bureau was just on Martha’s Vineyard, without me. While discussing the future of fonts, I envisioned them sucking oyster juices from their type-designing fingers and munching on a particular kind of joy known as Humphrey’s sandwiches. Elsewhere, I was off-island in Wilmington, Massachussets at Kirkwood Printing on press check with my fifth cup of Dunkin Donuts coffee in hand. Font Bureau’s new One-Line Type Specimens Third Edition was chugging away on their 4-color Mitsubishi.
At hour 32 the nightshift pressman returned and asked Did you go home?
No, but your couch is ...