Categories

· Awards
· Behind the Scenes
· Brochures
· Competitions
· Interviews
· New Type
· News
· Parker Type History
· Seen and Noted
· Sketches
· Type Design
· Web Fonts

Contributors

· David Berlow
· Sam Berlow
· Font Bureau
· Stephen Coles
· Carrie Gee
· Cyrus Highsmith
· David Jonathan Ross
· Indra Kupferschmid
· Kent Lew
· Mary Louise Marino
· André Mora
· Mike Parker
· Nick Sherman
· Dyana Weissman

Subscribe

Join the FB News List

RSS FB RSS Feed


NEWS · June 4, 2012

inside paragraphs

Inside Paragraphs press check
Inside Paragraphs press check
Inside Paragraphs press check

My book, Inside Paragraphs: Typographic Fundamentals finally went on press. Here are some photos of the make-readys. Paul Shaw reviewed an advance copy over at Imprint. Stay tuned for more information!


NEWS, SKETCHES · May 29, 2012

kaiju

An upcoming trip to Japan has revived a not-very-dormant interest in tokusatsu. In a recent sketchbook, I drew the characters for 'kaiju', which translates as monster. In the process, some of the counter forms disappeared—perhaps destroying legibility. We must flee!


NEWS · May 14, 2012

typecache

There is an interview with me by Taro Yumiba at the new website, typecache.


BEHIND THE SCENES, NEWS · April 25, 2012

Readability Series Migrating to Retail Library

For more than a decade, the Readability Series of typefaces has been part of Font Bureau’s commitment to the needs of our clients and a response to emerging trends and print technologies. Now, with another wave of technological change and evolving trends, not just in print media, but also online typography and mobile web use, it makes sense for the typefaces of the Readability Series to migrate to our Retail Library for the same licensing options and affordable price.

From Readability to Retail

The new Retail versions are not substantially changed from the original versions in the Readability Library ...

More ...

NEW TYPE, NEWS, TYPE DESIGN · April 2, 2012

Neue Haas Grotesk Now Available from Font Bureau

You may be wondering, ‘why Neue Haas Grotesk when we have Helvetica?’ To offer the best reason, and the one that’s the most interesting, we have to go back quite a few decades, to Switzerland.

Neue Haas Grotesk was the original name given to the typeface that Max Miedinger drew in the 1950s for Haas’sche Schriftgiesserei (Haas Typefoundry) in Switzerland under the direction of Eduard Hoffmann. It was designed to compete with the German-designed Akzidenz Grotesk and others. Shortly after release from Haas, the name was changed at the request of parent company Stempel to “Helvetica” (Latin for ...

More ...

NEWS · April 2, 2012

touch of lettering

Providence’s Cable Car Cinema commissioned me to create a poster for their screening of Orson Welles' revenge flick, Touch of Evil. It’s a big three-color screen print and it’s available from Tiny Showcase.


NEWS · December 7, 2011

The Boston Globe’s Brand Integration Across Media

Few major publications have yet been able to do what The Boston Globe did recently – mirror their brand typography in both print and digital editions. Stephen Coles’s recent post on Fonts In Use details the typography of the new BostonGlobe.com and the newspaper’s emphasis on maintaining the newspaper’s identity through its typography. At the heart of the design is the use of the screen versions of their brand fonts, Benton Sans and Miller Headline via Webtype. The result? The Globe still feels very much like the Globe. Read on...

More ...

NEWS · November 29, 2011

typsnitt

Typsnittstecknaren Cyrus Highsmith is giving a talk in Stockholm this Friday.

More ...

NEWS · November 11, 2011

New Poster

I'm excited to announce a new print for sale at Tiny Showcase. This one is a 2 color silkscreened edition of 100 printed by The Head Light Hotel. There are only about 20 left. There are also a few letterpress alphabet prints left too.



NEW TYPE, NEWS, WEB FONTS · November 8, 2011

Georgia Pro & Verdana Pro: More Widths. More Weights. More Possibilities.

Georgia and Verdana rule the web. Starting today, Georgia Pro and Verdana Pro are now revised and expanded families, enabling more versatile use both on screen and on paper. The expansion includes three new weights and a Condensed width, OpenType layout features, WGL pan-European character set, added kerning, and extensive hinting.

Georgia and Verdana entered the scene fifteen years ago. They were created for Microsoft and adapted from proven typographic models by world-renowned type designer Matthew Carter, assisted by master hinting engineer Tom Rickner. Now, a partnership between Font Bureau, Carter & Cone, and Monotype Imaging led the effort to create ...

More ...