· David Berlow
NEWS · September 4, 2012
Here in the northern hemisphere, summer is in full swing and the growing season will soon reach its peak. At Font Bureau, we’ve already got one crop that’s ripe for the picking:More ...
NEWS · June 21, 2012
Inside Paragraphs: Typographic Fundamentals ships next week! You can order your copy right now, over here, just scroll down and click the big red button. In case you missed it, Paul Shaw reviewed an advance copy over at Imprint.
BEHIND THE SCENES, NEWS · June 11, 2012
As our tech gent once commented, this is the time of year when we hear from brides and the mothers of brides. That is to say, it’s wedding season and all of a sudden, script typefaces are just as important as the cake.
Sometimes, it helps having a friend who’s a type designer lend a hand, or in this case, a face. Dyana Weissman’s script-in-progress graces the invitations of her friends’ wedding.
The inspiration for Dyana’s typeface started with letters ...More ...
NEWS · June 4, 2012
My book, Inside Paragraphs: Typographic Fundamentals finally went on press. Here are some photos of the make-readys. Paul Shaw reviewed an advance copy over at Imprint. Stay tuned for more information!
An upcoming trip to Japan has revived a not-very-dormant interest in tokusatsu. In a recent sketchbook, I drew the characters for 'kaiju', which translates as monster. In the process, some of the counter forms disappeared—perhaps destroying legibility. We must flee!
NEWS · May 14, 2012
BEHIND THE SCENES, NEWS · April 25, 2012
For more than a decade, the Readability Series of typefaces has been part of Font Bureau’s commitment to the needs of our clients and a response to emerging trends and print technologies. Now, with another wave of technological change and evolving trends, not just in print media, but also online typography and mobile web use, it makes sense for the typefaces of the Readability Series to migrate to our Retail Library for the same licensing options and affordable price.
From Readability to Retail
The new Retail versions are not substantially changed from the original versions in the Readability Library ...More ...
NEW TYPE, NEWS, TYPE DESIGN · April 2, 2012
You may be wondering, ‘why Neue Haas Grotesk when we have Helvetica?’ To offer the best reason, and the one that’s the most interesting, we have to go back quite a few decades, to Switzerland.
Neue Haas Grotesk was the original name given to the typeface that Max Miedinger drew in the 1950s for Haas’sche Schriftgiesserei (Haas Typefoundry) in Switzerland under the direction of Eduard Hoffmann. It was designed to compete with the German-designed Akzidenz Grotesk and others. Shortly after release from Haas, the name was changed at the request of parent company Stempel to “Helvetica” (Latin for ...More ...
NEWS · April 2, 2012
Providence’s Cable Car Cinema commissioned me to create a poster for their screening of Orson Welles' revenge flick, Touch of Evil. It’s a big three-color screen print and it’s available from Tiny Showcase.