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In typography, it’s a commonly held belief that a typeface should do its job quietly, in the background. The reader’s attention is for the content of the story, not the form. Type does affect the text’s tone of voice, but usually in subtle ways.
In comics, the relationship between form and content is different. Cartoonist Walt Kelly pioneered the use of different lettering styles to represent his characters’ personalities and accents in his amazing newspaper strip, Pogo. Often the word balloon’s contents were as elaborate and expressive as the funny animals who uttered them.
Pogo Possum ...
Residents of the eastern coast of the United States, where Font Bureau is located, are being warned to stay inside today because of a blizzard. I am going out to play. But for those of you still here and looking for typographic fun, here are 2 links.
José Ramón Penela has made a very good spanish translation of my article about the em. Go here to hone your linguistic and typographic knowledge all at once.
Also, there is a new interview by Jan Middendorp with me at myfonts.
For me, making typefaces is usually a tedious process: draw, revise, repeat. I often need to step away for some hours, days, or years, and let them incubate on my desk until I can determine what the next step is.
But once in a while something will hatch, fully formed, from my head. My typeface Eggwhite was like that. I was trying to doodle my way out of an endless meeting when it happened. I could see exactly how the typeface would look. I just had to draw it before I forgot.
Since the year 2000, when Eggwhite was released ...
”With the increasing number of typefaces entering the market these days, more and more type designers are finally getting some of the recognition they deserve. In light of this, I thought it would be interesting to reach out to one of the younger designers over at the Font Bureau whose name might not be as well known (yet), and get some insights into her process, the industry and all things letter-centric.” Guest Editorial by Christian Palino
Read the interview on Speak Up with Dyana Weissman.
January 28, 2009
January 6, 2009
Novia set with extreme negative leading by accident.
December 18, 2008
NEW TYPE ·
December 18, 2008
Font Bureau announces the release of six new and expanded typefaces from our drawing studio: Whitman Display, Whitman, Benton Sans, Zócalo Text, Zócalo Banner and Zócalo Display.
Check out our NEWSLETTER
Classical Traits with a Spartan Finish
Drawing inspiration from W.A. Dwiggins and Eric Gill, book designer Kent Lew blended classical design traits with a crisp, spartan finish to create the original Whitman. In 2004, Monica Moses saw even greater potential and commissioned headline styles for the Minneapolis Star Tribune, noting that “it’s intelligent-looking without being aloof, fussy, or snooty.” Expanded further for Fortune magazine and ...
December 3, 2008
Talking about drawing…
I think Ben Shahn spoke for many artists and designers when he said, “I am a painter. I am not a lecturer about art nor a scholar of art. It is my chosen role to paint pictures, not to talk about them.”
But what artist or designer can resist the chance ramble on about their work?
I can’t. In October, I gave a talk at Design Fest 2008 in Guadalajara, México. Then in November, I spoke at Northeastern University in Boston. Same talk, different language. It was a nice break from routine.
Still, trying to express ...
November 11, 2008
I will do a lecture in Boston next week. Come check it out.
6pm Tuesday, November 18th
Raytheon Amphitheatre, Northeastern University