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Thanks to my long career at Font Bureau, I can spell bureau with confidence. Now, thanks to the new slab serif version of Antenna, I can spell its name, Receiver with the same certainty. The e goes before the i ! Receiver isn’t published yet but you can check it out in RISD’s new alumni magazine, RISD XYZ.
April 29, 2010
Here is a quick drawing before I hop on a boat and head for Font Bureau’s annual meeting.
For those of us who keep tabs on magazine redesigns, What’s been Worth Watching the past few weeks is TV Guide itself.
The magazine unveiled a fresh redesign last week with a new palette of typefaces, including several from Font Bureau — Quiosco for text, Boomer Sans & Serif for a wide range of display.
The new design by Robert Newman, James Reyman, Kate Thompson and Katherine Dillon of DillonThompson features a brighter, bolder, cleaner look and a crisp ...
My friend Joanna sent me an email a couple of weeks ago saying, “I heard a news blip this morning that I thought was sort of fascinating.” She went on to quote the news item about the University of Wisconsin-Green Bay’s decision to switch to Century Gothic as the default for all printed campus e-mails.
“You should design a ‘green’ font,” she urged.
I began to respond with a dissertation about how there are plenty of so-called “green” fonts already, but it got me thinking.
As some news articles have noted, most fonts that are light in weight or ...
A couple of weeks ago, I caught a screening of The Call of Cthulhu at my friendly neighborhood public library. H.P. Lovecraft, the author of the original short story, is something of a local hero here in Providence.
I drew the above lettering in my sketchbook while waiting for the show to begin.
Although this film adaptation was done in 2006, it’s a silent movie that appears as if it were made closer to era when the story was first published in 1928. There is an attention to detail that any typophile could appreciate—no anachronistic fonts in this production, at least as far as I could see. Check out the titles in the trailer for a taste.
April 1, 2010
It could have been a lot worse but things are a bit wet at Font Bureau’s Rhode Island office this week.
Last week Fortune magazine unveiled a bold new look, spearheaded by creative director John Korpics. To herald the new direction, Korpics commissioned Cyrus Highsmith to draw a new logo for the nameplate.
Now entering its 80th year, Fortune magazine has had an illustrious history, often noted for its journalism and photography. A new logo needed to be distinguished, to demonstrate boldness, and to signal success.
March 12, 2010
March 11, 2010
Web Fonts Panel
Saturday March 13, 9:30am, Ballroom B
Font Bureau’s David Berlow and Roger Black will be joined by Typekit’s Jeffrey Veen, Stephen Coles of FontShop/Typographica, and Bert Bos of W3C in what will surely be an engaging conversation about what we’ve all been waiting for. The time has come for web fonts.
Web Fonts Party
Sunday March 14, 6-9pm
Join the party at Shangri-la with our co-hosts Typekit, FontShop, and Webtype for chats on fonts, the web, and the future of of it all. We’ll have demos, a DJ, and drinks are on us (while tickets last)!