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NEW TYPE, NEWS · July 8, 2015

Miller Text Expansion. Matthew Carter’s seminal Scotch gets Semibold

Matthew Carter’s Miller is a reinvigoration of the 19th-century Scotch Roman, serving forthright, authoritative body copy and headlines since 1997. All Text and Display weights include small caps, italics, and italic small caps, a hallmark of the original Scotches and features that have made it a staple of magazines and newspapers like the Boston Globe, San Jose Mercury News, Glamour, and New York magazine. The Miller family has seen several updates since its initial release, with improvements from Carter and Font Bureau designers such as Tobias Frere-Jones, Cyrus Highsmith, Richard Lipton, and Kent Lew. Today Miller Text gets a substantial expansion.

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NEW TYPE, NEWS · April 16, 2015

Antenna Serif. A new slab by Cyrus Highsmith

Today we release Antenna Serif, a slab serif companion to a stalwart sans.

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NEW TYPE, WEB FONTS · January 13, 2015

A Quick Recap of Last Year’s Releases

It’s a new year but we haven’t locked the door on 2014 — it’s propped open by an old specimen book. Before we release our next typeface, we wanted to recap what came in the past twelve months. Five different designers were behind seven releases, and all of their designs, along with some classics from our library, came out on Webtype too. It was a varied year, so let’s take another look.

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NEW TYPE, NEWS · November 19, 2014

Tilda. A script typeface by Jessica Hische

Today we release Tilda, a script typeface with size-specific styles.

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BEHIND THE SCENES · October 29, 2014

Lettering is Not Type: Clear Definitions for Commonly Abused Terms

Using the wrong typography terms doesn’t just make you look silly or inexperienced; it doesn’t just irritate the nitpicky nerds; it deprives you from getting the most from typography. Knowing the right words can help you understand and describe, design and build. So here are some of the commonly confused typographic terms I see tossed around, along with simplified definitions.

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NEW TYPE, NEWS · October 1, 2014

FB Big Caslon. An expansion of Matthew Carter’s classic display serif

Today we release FB Big Caslon, six new styles of Matthew Carter’s familiar and beloved typeface. 20 years ago Big Caslon was released as a single style, with separate fonts for small caps, expert and alternate characters. Now it is a fully-featured Opentype family, simultaneously available as webfonts, in three weights. They each have italics, small caps, and plenty of striking alternates.

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NEWS · September 23, 2014

Input Update

Based on user feedback, we have added new characters, including …

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NEWS · August 20, 2014

Input in Use for the Feltron Annual Report

Feltron 2013 Annual Report

Every year, since 2005, information designer Nicholas Felton releases a new Feltron Annual Report, a detailed presentation of personal information gathered from the previous year.

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NEW TYPE · August 3, 2014

Input. A flexible family of fonts for code by David Jonathan Ross

Today we release Input—fonts for code. Input is a flexible system of fonts designed specifically for code by David Jonathan Ross. It offers both monospaced and proportional fonts, all with a large range of widths, weights, and styles for rich code formatting.

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Two New Sites: Celebrating the Work of David Berlow and Showcasing the Typefaces of Tobias Frere-Jones

Two new sites honor the work of our founder, David Berlow, and one of our most esteemed designers, Tobias Frere-Jones.

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